Brief Hiatus

Hi Everyone!

I’ve been overwhelmed lately with my classes and new work commitments that I’ve been at a loss of what to post on here lately, and I feel like I could use a brief break to get everything organized and focus on my ballet classes and practice and figure out the direction this blog is headed.

I also need some time to figure out and manage the issues I’ve been having with horrible shin splints/tendonitis/whatever.

I’ll be back in roughly two weeks with more articles and profiles (sorry to those who’ve been waiting to see there’s go up, they’ll be up when I get back, I promise!)

Thanks for continuing to read this blog, and I’ll try to keep posting some links with tips and other advice in the meanwhile to the Facebook page.

Dancing in the Street?

Well….kinda.

 

I don’t usually ever dance in public. Even practicing in an empty studio felt weird (A local studio was renting during the daytime for super cheap rates– so me and the boyfriend decided to get some extra practice in as well as some photos).

 

Sapporo subway platform

 

But recently, I’ve found myself marking out combinations (or other moves) while waiting for the subway to come. While occasionally I’ve done this while walking somewhere with the boyfriend or in my apartment, I felt the need to do it right after class on Monday while waiting for the subway–otherwise I was never going to get the beginning of the combination–a sequence of balances en tournant–into my brain. I often find that if I spend time thinking about the moves after class I can sometimes figure out the ones I couldn’t get in class. Bu, I can’t wait too long after the class has ended or I just won’t be able to remember the moves.  Maybe not the execution, exactly, but I can figure out how a step was supposed to be performed if I didn’t get it when it was first explained.

 

I looked like an idiot on the subway platform, but hey, I think I finally may have figured it out.

 

Do you dance in public? What tricks do you use to memorize tricky combinations?

 

Check it out: Our new Ballet Book Club

English: Book shelf

I’ve decided to host our book club over at GoodReads, and you can join it by following this link here. It’ll be the easiest way to create discussions as well as vote as to what books we should be reading (I’m thinking about one a month–since I know we’re all super busy).

If you don’t already have a GoodReads account, its super easy to set up, and you can even just set it up by linking it up to you Facebook account. GoodReads is a super easy way to share with your friends what you’re reading, what you want to read, as well as book reviews.

Make sure once you’ve joined that you introduce yourself and vote for what type of book you’d like to read first!

What book do you recommend we read first in the Ballet Book Club?

Beginner Ballerina Profile: Aerialist Sarah Jean Kaye

This week’s profile (well, technically last week’s) is Sarah Jean Kaye, who began taken ballet again after a long break to help her improve for aerials.

20121002-DSC_1246-Edit-2Adult Ballerina Project: When did you start doing ballet as an adult?

Sarah Jean Kaye: I recently started taking class again after a long break of five years off from the ballet barre to improve my line and hip flexors for aerials.

ABP: Did you ever take lessons as a kid?

SJK: I took ballet growing up 2x a week for a few years but by no means was a ballerina. I took jazz and acro at a dance studio that only used ballet as a supplemental training, where is should have been the main focus! I took ballet to help stretch me out but sadly with years of contortion style acrobatics training, I stayed short forever at 5’3.

ABP: Why did you decide to take ballet as an adult?

SJK: I missed the regimen oddly enough. I think because I always idolized ballerinas but knew I never would be one with 90 degree turnout that I wanted the challenge of going back into the classroom. When I was a child training to be a performer, ballet made me always feel negative about myself because I was short legged with a very athletic build, no turnout, and extensions only to 90 degrees. Even though I had a very bendy back, my legs and hips just never went anywhere. It was very disheartening and frustrating. Now as an adult, I am over the fact that I was never going to be a ballerina. Now I realize it makes me a better person for going after the challenge. And it finally makes me feel beautiful when doing it. As a adult ballerina, you are not competing to perform against classmates but all reveling in how it makes you feel.

ABP: Where do you take classes?

SJK: When close to home in Central Jersey I love to take at Princeton Dance & Theater, a studio opened by ABT principal Susan Jaffe & principal ballerina Risa Kaplowitz. They have a studio focused in premiere dancing and follow the American Ballet Theatre’s education and curriculum plan, yet it is so warm and nurturing there. I particularly like to go to the Ailey Extension in NYC and take from Kat Wildish or Finis Jhung. Each absolute masters at their trade, they have perfected the art of teaching adult ballet.

ABP: What is your favorite part about ballet?

SJK: Grand allegro. I am a fabulous leaper!

ABP :What is your least favorite part?

SJK: Probably a combination of left turns and my lack there of turnout. Both are my ballet arch-nemesis!

ABP: Who/What is your ballet inspiration?

SJK: : Marcelo Gomes & Sascha Radetsky have kept me coming back time and time again to see the ballet in NYC. I love the primas but there is something about male dancers that is just captivating, probably because I was such an athletic mover I actually relate more to their movement. But I do always aspire to look like the ladies on pointe! I would love to take pointe!

ABP: What motivates you to keep dancing?

SJK: The challenge to make myself better and be able to say that I didn’t let this conquer me.

ABP: Do you take any other dance classes?

SJK: I like to take a jazz or musical theater class when I can but most of my free class time now goes to aerial classes!

ABP: What are your hobbies outside of ballet?

SJK: Reading, any ridiculous adventure challenge like trampolining, flying trapeze, pole dancing, or indoor rock climbing (I like to say I tried anything once), watching modern family, traveling, seeing broadway shows, makeup, and occasional cap naps.

ABP: What advice would you like to give to those who want to start ballet or have just started?

SJK: JUST DO IT! Get over the hump, swallow your pride, allow those days when you are awful, celebrate the days you were amazing, and now there is always someone better and worse the same class as you!

ABP: Anything else you’d like to add?

SJK: NAMASTE! hehe

Dance Advantage Top Dance Blogs 2013: Vote for Adult Ballerina Project!

topdanceblog_2013

We made it to the final round! Thank you to everyone who commented to help me get to this point. Now, I need your votes for the final round for the placement in the Top 20 and Top Recreational Dancer Blog.

To vote for ABP, go to http://www.danceadvantage.net/2013/01/24/vote-top-dance-blogs-2013/ and select ABP for the first poll as well as top recreational dance blog.

Thank you again!