Ballerina Profile: Deborah Novak

NOVAK BALLET

Deborah Novak returned to ballet over ten years ago at the age of 47 after having danced ballet professionally until the age of 23. Read her incredible story below!

When did you start doing ballet as an adult?

I returned to ballet in the fall of 2003 at age 47.

Did you ever take lessons as a kid?

In 1960, I began to study ballet at age 5. I danced throughout my high school years with the Jebedon Ballet theatre, a local company in Huntington, West Virginia. For college, I went to NYU, where I studied with Nenette Charisse, and also at the American Ballet Theatre, with teachers such as Leon Danelion, Patricia Wilde, and Madame Swoboda. After college, I danced professionally in national touring companies, regional theatre, and summer stock, playing such roles as Maria in West Side Story. I danced until 1978 and stopped when I was 23. Funny, I saw that many of my friends quit ballet at the same time.

 Why did you decide to take ballet as an adult?

I was at the gym one day, listening to that horrible pounding music they play, watching the stupid daytime sit-coms on the TV bank, and it suddenly hit me that I can do better than this. I was trained as an artist, and I might as well do something artistic. So I went to one of the Nautilus machines, used it as a barre, and began a slow developpe a la seconde. And then it happened: I saw that I could still do it. I let go of the “barre” and guess what . . . I balanced. Was it a perfect developpe? Far from it. But my extension was still there and my placement was still there.

Where do you take classes?

I’m currently with the Charleston Ballet in Charleston, WV, but I am cast as the “Russian Dancer” in the Huntington Dance Theatre’s 2014 Nutcracker. Here, I am working with choreographer Robert Royce, and taking his company class with numerous 16 year-olds.

What is your favorite part about ballet?

Believe it or not, I enjoy barre-work. I love to work on my body, developing fine motor-control, getting in touch with little-used muscles, and improving my technique. Barre-work is like a journey into the self. I’m constantly checking my body, and trying to discover what I need to do to get better. On another point, what I love about ballet is melding movement to music. I feel that music has been de-emphasized in much contemporary dance–indeed, many choreographers can’t even read a score. But in ballet, the music still holds a primary place. And I love moving to classical music.

What is your least favorite part?

My least favorite part is what most people love: performance. I have done over 1000 productions (not just dance, but theatre, film, and television), and I’m not thrilled by putting on a tutu and a tiara. I’ve been there and done that. I do, however, enjoy rehearsing and developing a role in order to make it my own.

Who/What is your ballet inspiration?

About 3 years ago, I directed a PBS documentary entitled STEVEN CARAS: SEE THEM DANCE. This program, which won an Emmy, centered on Mr. Caras, a former New York City Ballet dancer who became a world famous dance photographer. In the course of doing this show, I interviewed many of the Golden Age Balanchine dancers, such as Jacques d’Amboise, Patricia McBride, Kay Mazzo, Peter Martins, among many others. These were the dancers I grew up with in the 1960s, and this group is my inspiration to this day.

What motivates you to keep dancing?

I have worked in the performing arts for many years, and I feel that I have something to say in dance. Since I know the balletic vocabulary and am a musician as well, I would like to try my hand at choreography.

Do you take any other dance classes?

No, I only take ballet classes. The so-called Modern or Contemporary vocabulary only appeals to me insofar as it is applied to a basic ballet technique. (I do, however, cross-train with yoga.)

What are your hobbies outside of ballet?

I love college football. On Saturday afternoons, after morning classes, I park myself in front of the TV and switch channels from game to game. Interestingly enough, many of the girls in my company are football fans as well. When we are backstage in our pointe shoes, I get a kick out of the big burly stage hands, who can’t believe we’re talking about a quarterback’s completion percentage.

What advice would you like to give to those who want to start ballet or have just started?

For a person returning to ballet, I recommend going very slowly. Don’t try to do what you did at 16. Ease back into it. You will get a number of aches and pains, but nothing that can’t be overcome with a little physical therapy and TLC. If you are just starting out as an adult, you must have enormous patience with yourself. At each class, find one thing that you did very well. It might be a simple port de bras, but that’s fine. Just try to master one element and focus on what you did very well.

Anything else you’d like to add?

I would like to encourage adults to take ballet. The rewards are great: anything from taking the fatty deposits off your thighs to working at a high level of artistic expression. Get a good teacher, who knows balletic technique, and go to class as often as you can.

Do you have a blog?

No, but since I’m 60 years old now, and still dancing on pointe, I’m considering it. Some very interesting situations have developed with the 16 year olds I dance with, and I think others might find it interesting, and perhaps, amusing.

 

(Re)Beginner Ballerina Profile: Terez Mertes of The Classical Girl

This week’s profile of Terez Mertes of The Classical Girl (she does ballet and plays the violin!), who returned to ballet at 35 after giving it up because she joined the Peace Corps.

When did you start doing ballet as an adult?

When I moved to the Santa Cruz area, fifteen years ago, when I was thirty-five.

Did you ever take lessons as a kid?

Yes, I started when I was ten, at a local studio. Once a week, I took ballet and tap in a dimly lit, basement facility with linoleum floors. Quite the humble affair, but it was walking distance from our house and when you are the seventh of eight kids, the only one taking ballet, you do what’s convenient. I didn’t move up to a “real” ballet classes, with aspiring pre-professional students, until I was sixteen and could drive myself there. I remained enamored of ballet through high school and college, and was fortunate enough to perform with a local dance company through my college years.

Why did you decide to take ballet as an adult?

I’d joined the Peace Corps upon college graduation, which quickly put an end to any further ballet aspirations. In my late twenties, I  thought I’d “outgrown” ballet and the need for it, but something deep in my soul was clearly still craving it. I’d told myself no, that ballet was for younger bodies, and I joined a gym instead. But the urge, the pain of missing ballet, wouldn’t go away, so finally I returned. I had to stop once again a few years later, however, when I had a baby. In truth, I’ve started, stopped, started, stopped. Life does that to you sometimes. But I always come back.

Where do you take classes?

At the International Academy of Dance, in Santa Cruz.

What is your favorite part about ballet?

I love classical music, so that’s a big perk right there. I love the intellectual challenge of ballet, the music and movement choreographed in a way you’ll never find in an aerobics or kickboxing class. I’m forced to keep my attention focused in ballet, be present in my body, not lost in thought and just sort of going through the motions.

In class itself, I think I most enjoy the grand allegro section. It feels like the dessert portion of a meal. It’s where I don’t have to struggle with balance, with extensions, where I can just fling myself out there and really dance, regardless of how old I am or what kind of shape my body is in. It feels like the old days of performing, and I just love that. I’m also really enjoying petit allegro work, which is not something I would have said when I was younger, so maybe there are advantages to dancing as an adult. I’m stronger at it than I used to be, perhaps more driven for the chance to “perform” it, if only for myself and the mirror.

What is your least favorite part?

The fact that I can’t do things at the same skill level I used to is the least favorite part of my adult ballet experience.Ballet2 copy I have to stick to single and the occasional double pirouette. I have much lower extensions, wobbly balance, a thicker waist—these are all limitations I’ve come to accept, but they’re still not much fun.

In class, what I enjoy least is the balance work required in the adagio section. I hesitate to say all of the adagio section, because that used to be my favorite part, such a wonderful opportunity to stretch, emote, really pour everything into slow, beautiful art. Part of me can still enjoy that, the elegant upper body expressiveness, while the other part struggles and wobbles and mentally mutters curses.

Who/What is your ballet inspiration?

Every time I watch professional ballet being performed, whether in a live performance or YouTube or on TV, it re-ignites a fire in me to be doing the same thing. It gets me up and moving. It drives me to try harder, maintain what little of the art, the craft, that I can.

In terms of specific performers I admire, I’d say San Francisco Ballet principals Yuan-Yuan Tan and Sarah Van Patten, for their strength, their lyricism and the originality they bring to their dancing. On YouTube, I have just been stunned with admiration by Alina Cojocaru, principal with the Royal Ballet. (Her Aurora in Sleeping Beauty – wow!) And NYCB dancer Sarah Mearns, as well as ABT’s Misty Copeland, both embody to me everything that is healthy and positive about ballet and dancers today. Great role models, both of them, for the rising generation of ballet dancers.

What motivates you to keep dancing?

Call it thwarted ambition or the desire to excel, but as mentioned above, there’s this fire in me, this feeling that I’m only half-alive unless I’m reaching for the sky, the stars, through dance. The feeling, the pain of it can consume me when I don’t have a regular dance practice in my life. Especially if I watch a ballet performance, and I’m sitting there, passively observing. All these strong emotions rise up, this understanding that you can never be what you were, do what you once did. I know there are former dancers who don’t go back to dance, or watching performances, for that reason. And yet, it’s so deeply ingrained in me, the love of ballet, the need for the movement. When I feel that way now, I know it’s time to hurry back to the studio for another class ASAP.

Do you take any other dance classes?

No, but I’m a longtime yogi, and enjoy, in particular, the vinyasa or “flow” classes, which give me the opportunity to really “dance” the practice, which I love. I take a kickboxing class which couldn’t be more different than ballet, but it’s a good cardio workout, it’s free at my gym, the time slots work, and there’s free childcare there. (A big perk in past years when my son was little.) I also lift weights and jog; I like diversity in my workouts, and that ballet dancer’s ethic of working out six days a week has never left me.

What are your hobbies outside of ballet?

Seven years ago, when my ballet class at that time disbanded and nothing else seemed to fit my time/budget constraints, I decided to switch arts and started playing the violin. Very, very challenging! And yet, it was something performing arts-related that I could do, from my home, on a daily basis. It was classical music-based, so that part of the equation felt right. Now that I’m back in a ballet class, I’m still trying to keep up with the violin. It’s a very nourishing (and humbling) experience, to be an adult beginner on the violin. It’s why I relate so well to adult beginner ballet dancers, even though I myself am a lifelong dancer. We all understand the journey of discovery as an adult, how thrilling and humbling it can be. Switching gears, I’m also a book-reading junkie and always have stacks of books around the house, often reading two or three at the same time.

What advice would you like to give to those who want to start ballet or have just started?

Enjoy the journey, and it’s all about the journey, and the love of what you are doing, moving your body to the music. it’s such a beautiful, organic thing to do, and at the same time, it’s a pursuit that will challenge you mind, body and spirit. Don’t talk yourself out of the impulse to give it a try and/or keep at it. (I’ve blogged about this very topic in the post called “Beginners’ Remorse” over at my own site.)

And this: don’t think you’re too old, too big, too clumsy, too tall, too anything. If the urge is in you to dance, then the solution is simple. You go, and lovingly pursue that goal. And, for the record, no one arrives at perfection in ballet. Ever. You have flaws, fine, so do all of us. We all just show up to work on our stuff. Oh, and to dance to pretty music!

Anything else you’d like to add?

Aim for the stars. Dare to dream, and believe. And come visit me at my blog, The Classical Girl (www.theclassicalgirl.com)!

Ballerina Profile: Scott of In the Wings

Scott is the priest in this photo from a Dracula performance a few years ago.

This week’s profile is of Scott, who runs a blog called In The Wings as well as LoveBallet89. Make sure you check it out and look for guest posts from Scott on Adult Ballerina Project soon!

Adult Ballerina Project: When did you start doing ballet as an adult?

Scott: Hard to believe six years ago at the very ancient age of 39.

ABP: Did you ever take lessons as a kid?

S: I took lessons as a teenager and danced in college. Gave it up partially because I’d grown up, and part because of what people thought of me as a guy dancing. Regretted quitting.

ABP:  Why did you decide to take ballet as an adult?

S: Partly because I wanted to live a healthier lifestyle. My younger sister died of cancer. My father started having heart problems when he was in his younger 40s. I was standing in the lobby of the studio where my daughter took classes and realized the fever to dance never really went away.

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60 Minutes New York City Ballet

New York City Ballet

This past Sunday, CBS 60 minutes ran a special on the New York City Ballet. If you haven’t seen it yet, check it out here (and three bonus clips.) Enjoy!

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