Archives for June 2015

Meet Our New Intern Hilary Pyo

Headshot 2When I was four years old, I was enchanted by a production of The Nutcracker, and I eagerly  began ballet lessons with Laurel Ballet Performing Company in Greensburg, PA. At age sixteen, I decided to pursue a professional career; training with the Pittsburgh Ballet Theatre School and performing as a company dancer with the Georgia Ballet and Brandywine Ballet Theatre.

Throughout my career, I’ve valued ballet as a challenging yet rewarding form of physical training, and I am looking forward to sharing my knowledge with students of all ages. I graduated from West Chester University of Pennsylvania in May 2015 with a degree in English, and I am thrilled to combine my love of writing and dancing with Adult Ballerina Project!

Image via Brandywine Ballet Theatre

Guest Post: Inactive Recovery

5281539131_7b6bd70ed3_zInactive Recovery. Two words that can drive me in to a melt down that challenges any a toddler can throw.

Because it starts as nothing.  It stats as twinge after class. A little extra ache after a long day. So you take a few ibuprofen and maybe cut down a class or two. But it’s not helping. In fact, it’s getting worse, from a nagging little thing to a searing pain any time you jump, or do a little too much walking. It hurts when you’re doing nothing at all.

So you go to your doctor. He suggests more rest, more ibuprofen, and to let your pain be your guide. But what he doesn’t understand is that you are a  warrior, you are an athlete. You push harder, work harder and live with pain daily. You welcome it. It’s proof that you’re working hard enough.

But it’s not getting better. This time there are x-rays, and a walking boot, to slow you down. So you do the math, and start calculating how to use the rest of your muscles without using that one part of that one leg. You’re swimming and doing crunches, because those seem okay.

You’re still going to class, and just trying to hide the injury. If your teachers find out, they might not let you take class. That would be the worst. Because you just made pointe. Or mastered a decent pirouette. You’re not ready to admit defeat. You’re careful not to limp out of class, and don’t cry until you get to your car.

You don’t tell your friends, or write about it on social media, you don’t want word to get out. You don’t want the sympathy, or the empathy, you want to be back in the studio, working.

So you go to your doctor again. You discuss your fairly vague diagnosis, something about a tired tendon, and over use. Something non-specific, and there’s only one real treatment plan. Inactive recovery.

Inactive recovery means doing nothing. Inactive recovery means not fighting through it, but accepting and embracing the fact that the best thing you can do is nothing. Sit more. Walk less. There’s no war, no challenging choreography to cover, no death defying physical feat. There is nothing to do but wait.

And it’s the hardest thing you’ve ever done as a dancer.

Image via Flickr User Quinn Dombrowski

Recap of the #adultballet tweetchat!

What do Adult Ballerina Project readers want to see more of? Plus more survey results!

Earlier this year I put out a survey to find out what demographics were reading ABP, how they were getting the blog, and what you wanted more of. Here are some of the results of the survey (basically, the data I was able to share with you) feel free to leave more comments about what you want to see!

How did ABP readers find out about ABP?

What age are ABP readers?

How do ABP readers get updates?

What do ABP readers read the most?

Ballerina Profile: Christina Han

image1Meet Christina Han, who returned to ballet after several years. She also is editor-in-chief of Spilt Arts, a nonprofit organization founded to help children from under served locations showcase their talents in literature, art, and photography. Check out the organization’s recent interview with Michaela DePrince on Spilt Arts website!

When did you start doing ballet as an adult?

I started classes the month before my 34th birthday.

Did you ever take lessons as a kid?

I danced ballet, tap, and jazz for almost 20 years as a kid, starting from 4 years old but jeez, that seems like a long time ago now!

Why did you decide to take ballet as an adult?

I’d been thinking about coming back to ballet for a couple of years but the idea seemed daunting because I knew my body wouldn’t be able to do what it used to. But when I decided to go back to school, I knew I needed to do something that helped with discipline and mental acuity. Also, I think a lot of people overlook how physically draining things like all nighters can be. So I bit the bullet and signed up for ballet because it’s all encompassing-mentally and emotionally challenging while being physically rigorous.

Where do you take classes?

I dance once a week at a local dance studio with my teacher Monique, who is empathetic and supportive. She’s also got a crackerjack sense of humor, which is much appreciated when you’re the only adult student in a room full of freakishly flexible ten year olds.

What is your favorite part about ballet?

Oh this is a hard one…ballet makes me appreciate everything my body can do. Instead of focusing on my limitations, I choose to celebrate the seemingly small victories, like balancing a little longer than the week before. Ballet also reminds me not to force things and that sometimes we can’t control a lot of aspects in life so just go with it and see what happens.

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