Thoughts on Breaking Pointe’s New Season

Breaking_Pointe_Logo

There has been a lot of controversy over Breaking Pointe this season, partnered with a lot of disappointment when the first episode aired–a lot of the ballet community was upset over how little ballet there actually was. I think Rebecca King captured how a lot of how I felt on Tendus Under a Palm Tree (she’s a professional dancer, too) after the first episode.

Now that we’re three episodes in, I’ve decided to share my opinions, too.

Ballet Becomes More Widespread

I think one of the most important segments of the first episode was of Adam explaining each part of the ballet company in relation to high school classes. At first, I thought, “blah, blah, blah. If you know anything about ballet already, you’d know this.” Thinking back on this, that’s not the point. As King quotes Allison DeBona as saying: “We originally set out on this endeavor to help rejuvenate the public’s interest in ballet and it feels like we are serving our purpose.” I think the show is definitely serving it’s purpose, although it’s doing it in a way not all of us are happy with.

People are learning more about how a ballet company operates because of Breaking Pointe, and the pain that goes into producing a ballet. Take Rex Tilton and Ronnie Underwood’s injuries and Joshua Whitehead’s disappointment of not getting the role of Napoleon(which he desperately wanted) for example. Both injuries and disappointment’s are a huge part of the real ballet world. I love learning more and more about what company life is like.

…but it’s still “reality TV”

I’ve seen a lot of people get upset over how Beckanne Sisk has gone from being the polite, new young dancer to the evil villain of this show and the bitchy girlfriend (taking over DeBona’s role, essentially).  We realized last season that DeBona isn’t exactly the evil queen she was played out to be (and in fact, they haven’ shown that angle at all this season). There’s also the apparent “extreme tension” we’re apparently going to get to see between Christiana Bennet and Christopher Ruud in future episodes, which I believe they’re obviously over-dramatizing as well.

Producers feel they need to create drama in order to appeal to the reality TV masses…but I’m okay with that. As a ballet fan outside of the world of Breaking Pointe, I’ve accepted that the CW needs to add the unneeded drama and partying–as long as it means I still get to see quality ballet as well.

Are you happy with the new season of Breaking Pointe so far?

TV and Ballet: Breaking Pointe, Bunheads, and more!

Since Breaking Pointe was renewed for a second season yesterday, I figured this would be an appropriate post for today.

There’s always been a fair amount of dance shows on TV, from Dancing with the Stars, So You Think You Can Dance to MTV’s America’s Best Dance Crew. This summer, however, two new ballet shows premiered: Bunheads (my personal guilty pleasure) and Breaking Pointe.

Bunheads is essentially a show about a 30-something named Michelle who leaves her life as a Las Vegas dancer and ends up helping teach ballet in Paradise–a town in the middle of no where. The show has its moments–like when Michelle sprays the entire cast of the Nutcracker with mace. which she had accidentally grabbed out of her gigantic dance bag full of stuff (I’m sure a lot of us have messy dance bags!) instead of hairspray. It’s essentially my guilty pleasure because Amy Sherman-Palladino created it (creator of Gilmore Girls) and a lot of the old Gilmore Girls cast star on the show (Kelly Bishop as the ballet studio owner Fanny) or make guest appearances. I just wish the show focused on ballet more. If you liked Gilmore Girls, it’s definitely worth a shot.

However, Breaking Pointe is what has really inspired me to push myself with doing ballet. The show follows the dancers of Salt Lake City’s Ballet West company members as they train. Beckanne Sisk, my personal favorite on the show, is only 19 and already a demi-soloist for Ballet West (she also studied at the Rock School–which is here in Philadelphia where I live). The show also follows Katie Martin, who spends the show searching for a new company after not being signed for the next season at Ballet West (don’t let that lead you into thinking she isn’t any good–she is!). It’s amazing how she manages to stay so upbeat despite having to find a new job and having to leave her friends behind at Ballet West. Lastly, the shows main star, Allison Debona, (although she’s sometimes terrifying, but she means well), is inspirational to adult ballerinas because she attended college in Pittsburgh before going on to become a professional dancer at a later age than most. And of course, all the dancing on the show is amazing, and it’s the focus of the show, unlike Bunheads.

What shows inspire you to dance? Do you plan on catching up on Bunheads or Breaking Pointe before the new seasons air?

Skip to toolbar