Ballerina Profiles: David Wilson of Dave Tries Ballet

Check out our awesome interview with David Wilson of Dave Tries Ballet. He started ballet at the age of 23, and now takes classes in the UK and performs in a couple of repertoire groups.

Adult Ballerina Project: When did you start doing ballet as an adult?

David Wilson: I started ballet two years ago, when I was 23.

ABP: Did you ever take lessons as a kid?

DW: Nope, I had never really done any kind of dancing before I started ballet classes.

ABP: Why did you decide to take ballet as an adult?

DW: I’m still not entirely sure! I was studying for a Masters in the States (in mathematics, so nothing arts-related) and had completed a triathlon for charity. I decided I wanted to do something completely out of my comfort zone and for some reason ballet popped into my head. At that point I had only seen one ballet in my life (an ex-girlfriend had taken me to see Swan Lake during my Undergrad degree).

ABP: Where do you take classes?

DW: When I was living in the States I took class at the Princeton Ballet School and in New York (mainly at the Joffrey Ballet School). Now I’m back in the UK (living in Bath) I take classes all over the place, including with a couple of repertoire groups I’m performing with.

ABP: What is your favorite part about ballet?

DW: It’s the absolute freedom you feel when everything ‘clicks’. As cliched as it sounds, it feels like you’re flying! It might not even be a big jump or multiple pirouette, sometimes even a simple balance can feel beautiful.

ABP: What is your least favorite part?

DW: I honestly can’t think of a single thing I dislike about ballet, except perhaps that I didn’t start when I was 3 years old!

ABP: What motivates you to keep dancing?

DW: Ballet doesn’t come naturally to me. In fact, before I started I would have certainly described myself as having two left feet. But it is amazing to be able to see my own progress and I guess my motivation is to see how far I can go. Since coming back to the UK I’ve joined a couple of adult repertoire groups and a Russian Youth Ballet Company which has allowed me to perform. The rush you get whilst performing I certainly something that keeps me hooked!

ABP: Do you take any other dance classes?

DW: Not at the moment. I’ve taken a couple of contemporary, jazz and theatre jazz classes in New York and London but I personally like the structure of a ballet class. Knowing that you’ll start with barre (including plies, tendus etc) is reassuring, especially in a class you’ve never taken before. That being said, I really would like to try tap – bring out my inner Fred Astaire!

ABP: What are your hobbies outside of ballet?

DW: Before I started ballet I had rowed and cycled for my University and completed a triathlon. Although these have taken a backburner since starting ballet I still enjoy subbing in to the occasional rowing outing and cross-train with running, cycling and, especially, swimming. However, I’m currently doing up to 12 hours of ballet a week to there isn’t much spare time (at least, not if I want to get my PhD!)

ABP: What advice would you like to give to those who want to start ballet or have just started?

DW: Don’t let yourself be your own worst enemy. Just throw yourself into it. As an adult it can be really easy to get really nervous or self-conscious in class. Try to ignore that feeling! You’ll soon realise that no-one is watching (except perhaps the teacher, which is a good thing!). Don’t worry if you make a mistake or fall over either; I have a teacher who was a Principal in the Royal Ballet and after falling square on my backside during a pirouette exercise she simply said: “Good. That means you committed to it.” So I guess falling over can sometimes be a good thing!

ABP: Anything else you’d like to add?

 

DW: I guess just to say that if you’re a guy don’t be intimidated! You’ll probably find yourself heavily outnumbered in a class, but teachers are usually aware of this (and you sometimes get extra attention which is nice!).

Want to read more? Check out last week’s profile on Legal Ballerina.

 

Contribute to the Adult Ballerina Project: Adult Ballerinas, Instructors and Professionals!

I’m always looking for more people’s views/tips/advice for adult ballet, so if you’d like to contribute to the Adult Ballerina Project, I’d love to have you. There’s a few ways you can do so:

1. If you’re an adult ballerina, I’d love to interview you for the site and feature your profile on the site.

2. If you’re an instructor or professional ballerina, I’d love to interview you for the site so you can help give tips to us and help inspire us.

3. Anyone who has a story, specific tips or tricks they’d like to write about, I’d love for you to do so. I’m only one person with limited experience, the more people who contribute the bigger this site can be!

If your interested in any of these, send me an email at adultballerinaproject@gmail.com!

Group/Forum for Adult Beginner Ballerinas

As Legal Ballerina pointed out on her site that an awesome LiveJournal group exists for Adult Ballerinas called AdultBegBallet. Since there’s not a  lot of demand for one directly linked for this website, I figured it’d be a cool thing for those who were interested in a forum to look into. While the community hasn’t seen a lot of action recently, those who have posted have gotten a fair bit of responses so there’s definitely still some members who are active.

Thanks LB for the tip!

Also, I’d like to hold a TweetChat for people interested in ballet and this blog (and I figured it’d be the easiest way to hold a chat, especially since site’s like TweetChat make it easy to follow a certain #hashtag and most everyone has a Twitter account already). If you have any other suggestions for chats let me know as well as what day/times would work best for you.

Any other forum/group/community recommendations?

Streeeettttttttttcccccch!

One of the most difficult things I’ve had a problem with getting myself to do for my ballet is stretch. I’ll go through streaks where I work really hard at my split stretches for a week or so regularly but then I get too busy, forget, or just plain old don’t feel like it, but I know I’m going to have to do it regularly if I ever want to actually become more flexible.

When I do remember, I usually focus on split stretches doing these stretches as well as this one because it really seems to stretch out my hips a lot. I plan on adding some barre split stretches that I found this morning since I recently built my own barre (more on this in a later post, but check out Leotard’s and the Buns in Them’s post on it if you want to build your own ASAP).

I know I need to increase how often I stretch and stretch more of my body than I now do (I could really use some back flexibility!) so I want to know:

How often do you stretch?

What stretches do you do?

In about a week or so I’ll compile a list so we can have a complete ballet stretching guide!

Ballet Etiquette

Knowing what to expect when you walk into a ballet studio is one of the most important things to know if you’re going to start ballet classes. Some studios will be more lenient than others (I take classes at both Philly Dance Fitness and Koresh Dance Studio–Philly Dance Fitness is a lot more laid back than Koresh is). Don’t let that scare you, it’s not really terrifying as it seems as long as you know what you’re doing.

I can’t really say it better than they did, so check out Grown-Ups at the Barre’s Balletiquette post for a good do’s and don’t’s list for ballet studios.

The 3 most important things I grabbed from the article are (that I wish I would’ve known when starting):

1. Make sure you tie you ballet shoes and tuck in the laces (as opposed to tying big bows on the front of them). I have tied mine and cut off the ends so they don’t stick out.

2. Leave enough space at the barre for the person in front and behind you. Some instructors are great when you’re new and will help to make sure you have enough space. If they don’t, it’d be best if you have enough room to swing your leg out in front and behind you. When doing center work, leave enough space between you and your neighbor, and make sure you leave “windows” so the people in the line behind you can see themselves in the mirror.

3. Expect Corrections. This was probably the toughest thing for to get a handle on because I’m such a perfectionist, but everyone is going to get corrected. You’re instructor isn’t picking on you, and everyone was a beginner at some point. You’re there to learn.

What do you think are the most important ballet etiquette rules are if you’ve been in classes before?